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Why Most Writers Fail to Get Publishing Contracts

And what YOU can do to get yours

by Wendy Keller, lit­er­ary agent since 1989

Ahhh, for the good ol’ days!  The days when a gifted writer could just tie a fresh ascot and then sit down at his Smith-Corona to write some lovely prose.  Sooner or later, some incred­i­bly good look­ing, ele­gantly coiffed agent would share it with an enthu­si­as­tic edi­tor of leg­endary skill who would rec­og­nize him as Hem­ing­way or Fitzger­ald.  A princely advance check would be writ­ten, enough to keep the excep­tion­ally tal­ented writer in mar­ti­nis, ascots and sum­mer cruises to Capri.  

How lovely! How per­fect! How very, very historic.

Yet every week, EVERY week, some writer accuses me or my team of “not rec­og­niz­ing” their bril­liant work, their lit­er­ary genius, not sign­ing them on and lav­ish­ing them with praise.

Let’s be clear: Hem­ing­way, Fitzger­ald and the Old School Edi­tors like Maxwell Perkins are all dead.  Those days of tal­ent being enough to get a book deal died with them.

Like it or not, pub­lish­ing is an indus­try.  A busi­ness!  Busi­ness is in busi­ness to make a profit, not to take chances on your book, even though you’re a nice per­son with good spelling.  Sorry.  If you have no PLATFORM (read: a pre-existing fan base of peo­ple who hear you speak, read your blog, fol­low your Tweets, already rec­og­nize you as the expert on your topic for some good rea­son) then how­ever bril­liantly you’ve pounded your Smith-Corona, there is no pot of gold wait­ing at the end of your rainbow.

You just CANNOT be nobody and expect a deal from a mod­ern non­fic­tion pub­lisher. And since agents work on 100% com­mis­sion, we can’t take shots on unknowns. 

The solu­tion: get a plat­form. Now. Start today.  Then pur­sue the afore­men­tioned incred­i­bly good look­ing, per­fectly coiffed agent for rep­re­sen­ta­tion.  Put your horse before your cart and cre­ate an entirely dif­fer­ent real­ity.  As I’ve said 2 bil­lion times to aston­ished writ­ers, “Pub­lish­ers want to hitch their wagon to a ris­ing star, not be the horse that pulls your cart.”

(A few of you will appre­ci­ate I moved from ascot metaphors to Ascot illu­sions. You, I like.)

Please, get a plat­form before you query my agency or any oth­ers.  You’ll save your­self a lot of heart­break; you’ll save our staffs a lot of time; and you’ll give your­self a real chance at a pub­lish­ing deal.  Promise!

Browse this web­site to find lots of ideas on how to get your plat­form growing.

 

Comments (2)

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  1. Janice M. says:

    I am writ­ing the story of my unusual life. I’d like to know how you pro­pose I build a “plat­form” about that.

  2. kellermedia says:

    Hi Jan­ice,

    That’s a great ques­tion, espe­cially since about 80% of every­thing agents get offered is mem­oirs or auto­bi­ogra­phies. Even agen­cies that don’t han­dle “life sto­ries” (like mine) get offered that kind of con­tent all the time. Usu­ally, the story of how one is overcoming/overcame a bad child­hood or some med­ical or men­tal prob­lem, or over­came addiction.

    Assum­ing your book is likely one of those, the way to build a plat­form is to start blog­ging. Use Face­book Pub­lic Fig­ure pages to expose your blog to that audi­ence. If/as peo­ple respond, you might build up an audi­ence. Once you see what your pub­lic responds to, you can develop that into a short speech and give it locally a dozen or so times, to see if it car­ries into the real world. Watch your score on http://www.Klout.com. You want it to get above 60. Test the world’s level of inter­est in your life story. If they ARE fas­ci­nated, there may be profit in it, and if there will be profit in it, pub­lish­ers and there­fore agents will respond. Here’s a link to the short­est, eas­i­est best way to build a plat­form that I know of so far.

    Good luck to you!
    Wendy

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